elmo-violin

A WORKOUT FOR MUSICIANS IN PAIN

As a therapist working with musicians for over 30 years—and a musician myself—I created a workout plan for a patient struggling with playing-related pain. It quickly became clear: this routine could help many more.

Focused on neural tension, compression, and overuse injuries like tendonitis, the exercises are designed to support the unique physical demands of musicians.

But movement alone isn’t always enough.

Masssage therapy plays a vital role in reducing pain, releasing restricted tissue, and reinforcing healthy patterns. Combined with targeted exercise, it’s a powerful approach to staying pain-free and performance-ready.

👉 Book an appointment to add manual therapy to your routine and get back to playing with less pain.

  1. Reduce brachial-plexus compression by improving cervical/thoracic mobility and scapular stability.
  2. Unload medial & lateral epicondyles through graded tendon loading and balanced forearm strength.
  3. Maintain playing endurance for guitar/violin while tissues remodel.

Frequency guide
Daily: Neural glides + postural mobility (≈10 min)
3×/week: Strength circuit (≈20 min) with 24 h rest between sessions
Pre-practice: 5 min dynamic warm-up (outlined below)
Post-practice: Quick recovery stretch (marked ✦)

DrillReps/TimeKey Cues
Cat-Camel10 cyclesSegment spine; inhale flex, exhale extend
Arm Circles15 fwd / 15 revMaintain long neck, low ribs
Wall Scapula Slides8–10Slide elbows/wrists up wall, keep low back flat
Finger Tremolo Shake15 sRapid finger flicks; relax forearm tone
Nerve GlideSets × RepsDescription
Median “Guitar String” Glide2 × 10Shoulder abducts 90°, elbow/wrist extended, slowly thumb to temple → straighten
Ulnar “Violin Bow” Glide2 × 10“OK” sign around eye, elbow forward, gently open/close hand
Radial “Waiter Tip” Glide2 × 10Arm at side, internally rotate, flex wrist/fingers → neutral

Do daily (hold 30 s, 2 rounds). ✦ = nice post-practice reset.

StretchSideFocus
Scalene lateral neck lean ✦L / REar to shoulder, opposite arm behind back
Pec Minor doorway ✦L / RElbow 90°, step through
First-rib self-depression (towel)L / RTowel over shoulder, pull down gently while breathing
Wrist Extensor (lateral epi) ✦L / RElbow straight, palm down, flex wrist with other hand
Wrist Flexor (medial epi) ✦L / RElbow straight, palm up, extend wrist/fingers
ExercisePhase 1 (Week 1-2)Phase 2 (Week 3-6)Comments
Isometric Wrist Extension3 × 30 s press vs. other handReplace with Eccentric Wrist Extension 3 × 15 (2 kg)Neutral grip; stop if <3/10 pain
Isometric Wrist Flexion3 × 30 sEccentric Wrist Flexion 3 × 15 (2 kg)Same guideline
Supinated Banded Rows3 × 12Increase band or dumbbell 3 × 15Activate lower traps
Prone “Y” + “T”3 × 8 eachAdd 0.5-1 kg plates 3 × 10Thumbs up, chin tucked
Serratus Wall Slide + Punch3 × 10Add light ankle weight on wristsEmphasize upward rotation
Scapular Depression Shrug3 × 12Hold 2 s at bottomUse resistance band under feet
Grip Putty Squeeze3 × 15Heavier putty 3 × 20Keep wrist neutral

* each exercise can be done once to fatigue, or using the repetitions suggested.

  • Instrument height & angle: Violin shoulder rest and guitar strap should let elbows sit 30-45° from torso which prevents elevated scapulae.
  • Micro-break rule: 5-second shake-out every 5 minutes of scales/practice.
  • Night positioning: Hug a pillow to keep shoulders neutral; avoid overhead arm sleeping.
  • Ice-massage: 5 min over epicondyles post-session if reactive soreness rises.
  • Load management: Cap practice to pain-free duration; increase no more than 10% per week.
  • Week 2: Pain <3/10 with daily tasks, full cervical rotation.
  • Week 4: Able to play 30 min sets symptom-free.
  • Week 6-8: 90 min rehearsal tolerated; strength circuit weights up 20-30%.

If symptoms plateau >2 weeks or neurogenic signs worsen (numbness, night pain, grip loss), re-assessment is warranted, book an appointment.

  1. Reduce brachial-plexus compression (c-spine & scapular mobility).
  2. Unload medial & lateral epicondyles with balanced forearm strength.
  3. Preserve 2-hour playing stamina while keeping pain ≤2/10.
  4. Calm anterior deltoid/sub-acromial bursa irritation by:
    • Optimising scapulo-humeral rhythm (lower-trap / serratus force-couple).
    • Decompressing the anterior capsule & coraco-acromial arch.
    • Improving posterior cuff endurance so the humeral head stays centred during long practice sessions.
DrillSets / TimeKey Cues
Pendulum “Coffee-Cup” Sways1 × 45 s each armLean on table, tiny circles—let gravity traction the joint.
Wand-Assisted Flexion2 × 10Supine, PVC pipe; guide arm overhead pain-free range.
Sleeper-Assist Posterior Capsule Stretch2 × 30 sSide-lying, shoulder 90° flex, gently IR—keep scapula anchored.
Lacrosse-Ball Delto-Pec Release1 × 60 sAgainst wall, slow roll over anterior deltoid & pec minor.

✦ = ideal right after your playing session.

ExercisePhase 1 (Week 1-2)Phase 2 (Week 3-6)Focus
Isometric Shoulder Flexion Against Wall3 × 20 s @ 30° flexionProgress to 45° then 60°Builds pain-free flexor endurance without impingement.
**Scaption “Empty → Full” Cups3 × 12 with 0.5–1 kg, thumbs upPlane of scapula, stop at 90°, control down 3 s.
Serratus “Wall Slide + Lift-Off”already in planadd mini-band above elbowsExtra serratus activation opens sub-acromial space.
Prone ER @ 90° Abd (“W”)3 × 12 (very light band)3 × 15 with 1 kg plateStrengthens infraspinatus/teres minor for humeral head depression.
Standing “Dynamic Hug”3 × 15 light bandIncrease bandTargets subscapularis & serratus—supports anterior capsule.
  1. Scapular Rolls – 8 forward / 8 back.
  2. Finger & Wrist Shake-Out – 15 s.
  3. Door-Frame Pec Stretch – 20 s.
  4. Isometric Wall Flexion – 10 s light press.

Why: Keeps bursae perfused (circulation), unloads anterior rotator cuff, resets neurovascular tension before gradual worsening of symptoms.

StrategyImplementation
Contrast HydrotherapyEnd-of-day: 1 min cold – 2 min warm – repeat ×3 over anterior shoulder.
Instrument ErgonomicsViolin: confirm shoulder-rest height so arm never hikes >90°. Guitar: slight neck-up angle reduces chronic anterior tilt.
Practice DoseYou can already handle playing for 2+ hours? Keep sessions ≤2 h but insert the 60-s Reset each half-hour. If pain creeps >2/10, stop & mobilize tissue manually.
TimepointBursitis Indicator
2 weeksPain at rest ↓ by 30 %, full pain-free active flexion to 120°.
4 weeksAble to play 2 h with ≤2/10 pain; no night ache.
6 – 8 weeksOverhead (150°) flexion pain-free, resisted scaption 2 kg × 15 reps without symptoms.

If anterior-shoulder pain plateaus >10 days, or sharp catches develop, re-evaluate for imaging or come back for treatment.

Quick Cue to Remember:
“Ribs down, shoulder blades glide, humeral head slides back and down.”
Recite that before the first note of every set—you’ll keep both the bursa and your elbow tendons smiling.

Scaption = “scapular-plane elevation” of the arm

  • Plane: about 30–45 degrees forward of pure sideways abduction—so you’re lifting your arm midway between straight-out front (flexion) and straight-out side (abduction).
  • Start position: thumb pointing up, elbow straight or softly bent, shoulder relaxed.
  • Movement: raise the arm in that angled plane until you’re roughly shoulder height (≈90 °) or wherever pain-free, then lower in control.
BenefitBiomechanical reason
Maximizes sub-acromial spaceThe humeral head stays centred and clears the coraco-acromial arch better, putting less squeeze on the sub-acromial bursa and supraspinatus tendon.
Lines up rotator-cuff fibresThe cuff contracts more efficiently, enhancing dynamic stability.
Encourages natural scapular rhythmLower trap and serratus anterior kick in, promoting upward rotation and posterior tilt of the scapula—key for brachial-plexus “room.”
Functional carry-overMany daily and instrument-playing movements occur in or near the scapular plane rather than pure abduction.

How to cue it

  1. Stand tall, ribs down, neck long.
  2. Imagine holding a tray angled slightly forward.
  3. “Zip your thumb to shoulder level, keep it pointing to the ceiling.”
  4. Stop before pain or shrugging; feel shoulder blade glide, not hike.
  5. Lower slowly (eccentric control matters).

Common variations

  • Isometric wall scaption: press into a wall at 30–60 ° for bursitis-friendly loading.
  • Empty-can vs. full-can: Full-can (thumb up) is preferred in rehab because it reduces impingement risk.
  • Band or light-dumbbell scaption: start with 0.5–1 kg; tempo 2 s up / 3 s down.

Think of scaption as the shoulder’s “neutral gear”—strong, stable, and roomy—ideal for calming an irritated anterior deltoid bursa while keeping your playing mechanics solid.

Susan Chapelle

Susan Chapelle, RMT, eMBA is currently practicing and teaching in Toronto, Ontario in the East Danforth area. She has won awards for "Best Massage Therapist in British Columbia" for her work in mechanisms of wound healing and pain.
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